Moon Bin (January 26, 1998 - April 19, 2023)

I know this seems a little late, as real life got in the way, but this is something that I have to do.. 

This post is created in solidarity with the greater K-pop community to mourn the passing and to honor the life of ASTRO's Moonbin.

According to news reports, Moonbin was found lifeless in his apartment in Gangnam, Seoul by his manager on April 19th at around 8:10 PM KST. He was 25 years old.

Moonbin is a member of ASTRO (아스트로; Aseuteulo) which started out originally as a 6 member boy group under Fantagio. They debuted on February 23, 2016 and has been quite active ever since. Moonbin also debuted in a subunit with fellow member Sanha on September 14, 2020.

He is survived by his parents and younger sister Moon Sua, the leader of rookie girl group Billlie.

The Moon siblings did a special collaboration stage last June 24, 2022 where they covered Baek Ji Young‘s “Candy In My Ears".

Moonbin and Moon Sua at Music Bank

People familiar to this blog may have noted that I generally do not post about boy groups as I do not have an interest in following them (save for a few from the second gen which I came across as I was starting my K-pop journey). I have to be very honest, I did not know about ASTRO until I was introduced to them a couple of years ago by someone close to me who happened to be a total AROHA.

I found their music to be quite pleasant. I didn't really go into a deep dive about the members, but discovered that Moonbin was actually a childhood friend of GFRIEND's SinB, and was often seen guesting on programs with a friend group of fellow '98 liners that included GFRIEND's Umji. He came across as a decent guy who was caring and thoughtful towards his friends, and is very affectionate towards his little sister.

It is always a terrible thing when someone passes away too soon, and the K-pop industry has had its share of painful losses through the past years.. But I cannot recall being as emotionally affected as I am now.. This was so sudden, and so unexpected. The guy was happily watching over the budding career of his sister, and was also doing quite well professionally. He was surrounded by a tight-knit group of friends, and had so much to live for and to look forward to.. 😔 I will refrain from speculations about his passing out of respect, but let it be known that I hold him in high regard, and I pray that his soul will find peace..

We here at K-Pop Catharsis would like to express our sincere condolences to Moonbin's family, fellow ASTRO members, and friends, and stand in solidarity with AROHAs all around the world as they go through this difficult time. We pray that Sua and her family would find solace in the outpouring of love from Moonbin's industry colleagues and the K-pop fans from different countries and fandoms.

Goodbye Moonbin. You shall be missed.

- B. Oppa

I can make it, raise it, recover it now - tripleS

 With a truckload of debuts and comebacks to sift through, it is really easy to get lost in all the noise (pun intended). Sadly, good music and strong vocals is no longer enough to capture and hold the general public's attention for very long (as unfortunately evidenced by the lower ranking of the STAYC girls among the leading 4th gen GG, which I think is a total crime, but I guess that's a topic for another time..). So you have all these companies making all these crazy changes/concepts/worldviews to hopefully generate enough buzz for their group. All that being said, it can get really daunting as a k-pop fan to discover a group that I could consider worth my while.

The idol of all possibilities

Enter tripleS. Produced by MODHAUS, a company chaired by former LOONA creative director Jaden Jeong, who is obviously no stranger to taking things in a fresh direction to promote a group (although I personally feel that putting LOONA together with what they did was ridiculously over-budget and only generated international hype without much appeal to the local korean fanbase. This is apart from the fact that Blockberry really screwed things up in other aspects as well).

Surprisingly, tripleS (트리플에스; Teulipeul-eseu) is slated to be a 24-member group, with the members slowly revealed one by one since the middle of last year (May 2022).  Its a long play similar to what was done for LOONA, but with some important differences. First off, MODHAUS (thankfully) did away with producing a song and MV for each girl that was being revealed. The group also secured endorsement deals and had product placements in their youtube videos, thus already generating revenue for the group and growing the fandom without risking an entire shitload of money on music releases (with accompanying MVs) that would ultimately flop (I mean, I like LOONA as a group, but you have to face the reality that the individual members' songs didn't really do well at all).

This is them so far (S1-S13). Imagine if they had to make MVs for all of them, with 11 more to go.. 😱

 Its a very ambitious project, but from what I have been observing, they seem to be going about this the right way. Like was previously mentioned, the members were revealed individually, usually having a few weeks to a month in between new members.

This is Yoon Seoyeon, designated S1 as the first member to be revealed.

Since the beginning, the tripleS YouTube channel has been quite active, pushing out daily short clips dubbed SIGNAL, which shows slice of life videos as the members go about their activities in their dorm (dubbed HAUS, because MODHAUS, get it? 😝) and other locations. Seoyeon's situation was a bit unique, since she was filming by her lonesome for the greater part of a month (?) before S2 Hyerin arrived. Add the fact that she was apparently just casted without any prior trainee experience, and you have an interesting start to this group as you cheer on her growth in the clips that followed. Apart from the daily SIGNAL videos which are uploaded every Monday to Friday evening (gotta give props to the editing teams 👏), there are also the SIGNAL WEEKLY vids that come out on Saturdays, which has a few select members discussing the SIGNAL clips from the past week, and also shows some bonus or behind clips to fill in the gaps. On Sundays they come out with the SSSIGNAL (Sunday Selfie Signal) videos, which is a compilation of vlogs from the members that they shot over the course of the week. When you thought you can't have enough daily content, they also randomly come out with these SecretBase vids which are longer form vlogs shot by a single member in a vocal room discussing whatever comes to mind.

So yeah, I tried playing catch-up when they had already come out with S12 and it was the more tiring 2 weeks of my life. 😜

In the months that followed, the internet was peppered with teaser images and vids of the different members as they arrived at the HAUSes one by one, giving barely enough to make you curious and keep you coming back for more. I find it quite brilliant, really. 😅 So here they are in order of appearance, and I included some snippets of info about each.

 

 S2 Jeong Hyerin

 

Not to be confused with the legendary Jung Yerin of GFRIEND fame, Hyerin was a trainee at P-NATION for 3 years, and was teased to be this awesome dancing machine. As of this writing she has just started high school at the famous Hanlim School with fellow S6 Soomin

 

S3 Lee Jiwoo

 

Jiwoo has already been turning heads prior to her revelation as S3, as she already starred in a web drama and particiated in the My Teenage Girl (MTG) survival show where she met the future S5 Yooyeon. She has already been around the block as a trainee at some of the larger companies like SM, YG, JYP, and even FNC. The girl apparently has fantastic taste, as she looks to STAYC as one of her role models. 😛

 

S4 Lee Chaeyeon

 

Chaeyeon may be familiar to other idol fans, having debuted prior in the group Busters which debuted in 2017 and unfortunately disbanded in 2020. S4 has already has dabbled in acting before, starring in a web drama called My Youtube Diary.

 

 S5 Kim Yooyeon

As mentioned earlier, Yooyeon appeared on MTG alongside Jiwoo and just barely made the cut to debut in the group CLASS:Y which was formed at the show's conclusion. Everything worked out for the best though, as she now finds herself as the eldest and unofficial de facto leader of tripleS.

 

S6 Kim Soomin

 

Soomin and her fellow '07 liner Hyerin recently began attending high school at the famous Hanlim Multi Art School, which counts numerous idols among their alumni. She began training at the age of 13 in dance academies prior to joining MODHAUS.

 

 S7 Kim Nakyoung

 

When Nakyoung (Naky for short) was introduced, her teaser trailer showed a totally different mature vibe when compared to all the previous big S that came before her. She is he second eldest after Yooyeon, and is actually the little sister of famed soloist BIBI, which kinda explains the mature vibe. 😅

S8 Gong Yubin

Yubin appeared on TV on SBS Chosun's I am Chef, which I imagine is kinda like Iron Chef for kids, and placed among the top 3. In a twist of fate, she wound up debuting in the same group with her real-life best friend, S3 Jiwoo!

 

With this enviable pantheon of idols raring to go, MODHAUS thought it was time to shake things up by introducing the first GRAVITY event (yeah, they're going all out with the world-building on this one 😛) So from what I understand, these GRAVITY events would occur at certain times with earthshaking effects (ok, I just made that last part up, but you have to admit that gravity and earthquakes go together. 😅). Each GRAVITY event would involve fan voting via the proprietary application COSMO, where fans get tokens of an in-app currency called COMO which are earned through photocard (and probably other merch too) purchases (which you may scan if its a real-world purchase in order to be credited for the card and the corresponding COMO). This tech is apparently NFT-based, so it kinda defines ownership a bit better I guess?.. Not an NFT guy, so I wouldn't know.. 😜

 

Anyways, it was revealed that the eight existing members of tripleS were going to be assigned into one of two sub-units each with their own debut song and concept, with the members of each determined by fan votes from the GRAND GRAVITY event.

 

The resulting sub-units from the 1st GRAND GRAVITY (which took place during September 2022) were Acid Angel from Asia (AAA), and +(KR)ystal Eyes (KRE). It was also revealed that AAA would be debuting in a month, so all the members were actually rehearsing the AAA song just in case while they awaited the results. Then October rolled around..

 

La-lalala-lalala-la-la...

 

The Acid Angel from Asia subunit successfully made their debut on October 28, 2022, and sold around 18,300 copies, which isn't really too bad, but MODHAUS set a requirement for sales to reach at least 100,000 in order to assure the subunit's survival. People were concerned that the subunit would be disbanded and the girls kicked out, but as CEO Jaden Jeong has explained, not making 100,00 just means that the subunit would not be producing new music, and the girls could still perform as a unit during future concerts and such. Jeong further elucidated that even this is not set in stone, as the subunit may be "resurrected" by fan demand during a later GRAVITY event.

While in the midst of the preparations and promotions of AAA, a new big S made her appearance:

S9 Yamada Kaede

Kaede (not to be confused with the fictional Shohoku Small Forward named Rukawa) was a child model during her earlier years. This soft-spoken young lady is the first Japenese member to be revealed as part of tripleS, therefore giving the group a more international flavor.

A week or two after S9 joined the girls, it was revealed to them that they will be debuting as a full unit at the start of the year.. with 10 members! 😳😳😳

Enter the Cherry Rabbit..

S10 Seo Dahyun

Dahyun was revealed as the incoming S10 at the conclusion of the SIGNAL video revealing the plans for the group debut. In true sneaky MODHAUS style, they filmed her entering the SAME ROOM where the rest of the members were just a few hours before. 😱 This is where she was moved to tears upon the revelation that she would be debuting as S10. Her teaser was unique as it featured an OST she just sang, thereby cementing her place as the main vocal of the greater team.

Keeping true to form, it was time for another GRAVITY event, this time to decide the title track. I have to admit that I was skeptical when I heard that this was how the  group debut song was selected, but I guess the fans really know best, as it resulted in this sudden burst of awesomeness..

Yeah, that was fantastic! And they got nominated for first place too, only to be stopped in their tracks by STAYC and the juggernaut that was Teddy Bear 🐻. Too bad, try again next time. 😅

Once again true to form, it was during these preparations that MODHAUS decided to spice things up a bit and reveal two new members who would be staying at another HAUS in Japan

S11 Kamimoto Kotone

Another Japanese member! Kotone was a contestant in Girls Planet 999, (GP 999) the survival program that culminated in the formation of Kep1er. She bought a takoyaki machine and was able to successfully cook for Yeonji before the two of them were eventually shipped out to Korea.

S12 Kwak Yeonji

The maknae of the group is finally revealed. This middle-schooler is an '08 liner, making her younger than the then-maknae pair of Hyerin and Soomin. Yeonji has announced her intentions to enroll at Hanlim the following year, so as to accompany the two older unnies to school. She stayed in Japan for about a month under the watchful eye of S11 Kotone, and was able to eventually fly home to Korea together with Kotone during the tail-end of the Rising promotions.

I consider myself every fortunate to have been able to witness this gathering of S1 through 12.

It really hits differently when you are watching the videos on a nightly basis, especially when you have successfully caught up with the different clips and are anticipating the next video to drop and the next development to unfold.

Currently the Rising promotions have ended and all 12 big S are together in one country. There is news of A GRAVITY event to be held next week to decide the fandom name. So MODHAUS took advantage of the relative peace and quiet to finally introduce S13..

S13 Hsu Nien Tzu

 

The first Taiwanese-Vietnamese member of tripleS, Nien was another contestant on GP 999 but never got close to Kotone as they were never placed in the same team and had stayed at different dorms during that time.

Whew! That pretty much rounds them out (for now). It has been said that the KRE subunit is in the midst of preparations and are expected to debut this coming May, thus explaining their absence from the SIGNAL videos apart from the clip where they welcomed Nien to the team.

The entire concept of how the group was formed as well as the influence that fans have on their activities is fresh and different. It was able to catch my attention and now that I have heard what these ladies can do, I will be following them with great interest, especially after the news dropped that the liberated LOONA members (except Chuu) have been signed by MODHAUS, effectively turning them into labelmates and opening up the possibility for crossover events. 😉

- B. Oppa

Yoohoo and Ahaiii - IVE

 Sorry about the sizable gap between entries. Real life kinda got in the way 😅

I would be remiss if I failed to talk about the super rookie group that took 2022 by storm. Yes friends, I'm talking about Starship Entertainment's sensational rookie girl group IVE (아이브: Aibeu).

Debuting on December 21, 2021, IVE consists of Yujin, Gaeul, Rei, Wonyoung, Liz, and Leeseo. At first glance, you already have quite the 1-2 punch here, with 2 members of IZ*ONE bannering the team. Given her valuable veteran experience, Yujin suddenly finds herself thrust into the leadership role, and Wonyoung brings that star power as the group's center. This in no way belittles the others, as they also have much to bring to the table. Being the eldest unnie, Gaeul gives off that sexy sophisticated vibe in a cute package. Rei is the group's main rapper (its always the Japanese ones 😅), Liz has been a revelation as a vocal powerhouse, and Leeseo is an all-rounder maknae.

They kicked things off with their debut single ELEVEN, and boy, it sure didn't disappoint..

When I first heard the opening bars, I immediately knew this would be something different. It had this east asian or mid-eastern vibe to it that I couldn't put a handle on. Anyways, it was such a vocal masterpiece, and the song set a kind of dreamy atmosphere that I found absolutely unique and addicting.

I guess that's why they wound up with 13 wins for this promotional cycle. including triple crowns from all three public broadcast music shows (Music Core, Inkigayo and Music Bank). Not too shabby for a debut. 👏👏👏 Their winning streak began on December 8, 2021, and extended all the way up to February 18, 2020 (source).

The single album consisted on only two songs, and this trend would continue until their third release, but quite frankly, it didn't seem to matter.

A few months later, they came out with their next release called LOVE DIVE, an obvious tribute to their fandom called DIVE. This second single album also contained only two songs. LOVE DIVE and ROYAL.

LOVE DIVE would eventually go on to rack up 10 wins, with yet another pair of triple crowns from Inkigayo and Music Bank. This win streak would again last 3 months from April to July 2022. Then came August..

For their third single, IVE decided to ride the retro wave sweeping K-Pop and put out the "I Will Survive" sampled After LIKE, thus cementing its place as a definitive song for the coming new year.

 I mean, just look at it!! 😅

After LIKE had that retro disco funk that I really loved, and I guess the Korean general public liked it as well, as they were able to get another 14 music show wins! True to form, their win streak lasted 3 months, from August to October 2022, but the song resonated well into the new year.

IVE's styling has been pretty consistent thus far, and they have coined the term "chaebol crush" to describe their concept (source).

So there you have it, 3 single albums, for a grand total of 6 songs (plus one Xmas remake of After LIKE as seen on Spotify). I certainly hope they are not going the Blackpink route of music scarcity, but at least they have been releasing at a fairly constant pace. They have had their fair share of controversies from the get-go, mainly targeting Wonyoung for one reason or another. I won't go into specifics anymore so as to not give those controversies further mileage. I like them as a group, and I like their music, so I will be supporting them with each new release (unless they happen to overlap with STAYC 😝). Will I be joining up as a DIVE though? Not a chance. 😛 They won't need me anyway, seeing as they already have enough loyal fans. 😜 I shall be content in enjoying their music when it takes my fancy.

- B. Oppa

It's STAYC's 1st birthday!!

 Yes, this is a fan post. 😜

HighUp also just posted this bonus clip at Youtube!

Happy Anniversary STAYC girls!!! 🎉🎉🎉 As a rule, I only actively join one fandom per K-pop generation, and becoming a SWITH was probably the best decision of them all. 😊 Thank you HighUp and BEP boys for training and putting together such a wonderful and talented team of performers who get better and better with each passing day. 😊 To the SWITH community, let's keep running with our girls 'til the very end, supporting and protecting them every step of the way. No need to engage in fanwars with the immature segments of other fandoms. The talent will speak for itself. 😉 Besides, there's always plenty of room at the top of the k-pop mountain, so there's no reason why we can't be happy for the success of everyone as well. 😁 Keep smiling, growing, and singing beautifully, our dear Sumin, Sieun, Chaeyoung, Seeun, Jayoon, and Yeeun. We fans will always be here for you to praise your success and lift you up when you are feeling down. Don't forget to eat well, get ample rest, communicate with your family and friends, and live your lives in general as much as possible. I believe you are in very good hands with HighUp, and I am praying for your continued success always. 🙏 

- B. Oppa

GRAND UPDATE: STAYC

It has been a really a long while since we put something up here in this space. Numerous comeback eras have come and gone, and new groups have sprouted up all over the place like mushrooms. Though it was never our aim to write about absolutely everything that happened in the world if K-pop, I still feel inclined to fill you in on the news so far about particular groups that caught our fancy, hence the grand update.

 

Yes, this is what they look like now.. Crazy what almost a year's worth of experience can do.. 😲

It is presently less than a week to go before the first debut anniversary of STAYC (debut date: 11/12/20). Since I first wrote about them earlier this year, they already had a pair of successful comebacks, taken home their first music show wins, and bagged a ROTY award.. There's quite a bit of material to cover, so let's get started:

Coming at the heels of one of the most solid kpop debuts I have ever seen (with SO BAD), STAYC then released the viral hit ASAP in April which quickly became a sensation on tiktok due to the catchy chorus and the now-famous "kneading dance"

Yeah, you could smell the tiktok potential from a mile away 😝

However, despite the response and the subsequent boost in STAYC's popularity, ASAP failed to earn the girls their first win on any music show. I would admit that the song did not really appeal to me at first, and I thought that SO BAD was way better. Perhaps I'm not really a fan of hook songs? I dunno. I liked Cherry Bullet's Love So Sweet though, but I digress. 😅

The STAYDOM single contained 4 songs, namely: ASAP, a soulful melody called LOVE FOOL, the TAK remix of SO BAD, and a nifty little B-side called SO WHAT.

Not to be confused with the LOONA title track of the same name 😅

Could they be anymore different? 😅

So at that point in time, STAYC's discography was still quite thin.. a total of 6 tracks across 2 singles, and one of them was a remix. Be that as it may, I noticed that all of these tracks were actually quite good! This is a fresh change from the typical music release where companies and artists stuff their albums with a bunch of filler b-sides just to make the quota. The STAYC girls meant business, and I was overjoyed when I heard that they would be having their second comeback by September..

Needless to say, the trailer got me hyped up!

 

 Seeing the promotional images and video for the upcoming STEREOTYPE album created a lot of buzz among the SWITH community. I personally felt (and worried) that STAYC would go the schoolgirl route that GFriend took, and since they were just finding their identity at this point, being associated with the concept of a just-disbanded GG with millions of grieving fans across the globe is one can of worms that you would like to avoid. Luckily, my feelings were reassured when I heard the audio teasers.. My goodness, these girls can SING! 😲

And the visuals are stunning too! 😍

I mean, seriously, look at these cuties! 😀

 

At last they came out with an EP, this one again containing 4 songs, STEREOTYPE, COMPLEX, I'LL BE THERE, and SLOW DOWN which I now consider as the best B-side I have ever had the privilege of hearing (at least, until the next album comes out 😅). True to form, ALL tracks on this album are bops! No fillers here!!

 

I thought it was incredible by itself as an audio track, then the dance practice dropped, making things a million times better! 👍

SLOW DOWN is definitely worthy of the title track position alongside STEREOTYPE, with amazing choreography to boot!  However, STEREOTYPE is the obvious sentimental choice, as it was recently revealed that the members that the song was given to them by BEP soon after their final selection as STAYC. They had kept this ace hidden up their sleeves for so long, and the payoff was just tremendous! I have never followed a rookie comeback this closely before..

 

The styling for this era was just impeccable

Choreography on point

They weren't shy about having fun in the process either 😅

So yes, STEREOTYPE was an incredible track, with STAYC's amazing vocals, an impressive music video, and tons of promotional support that even landed them a stint on Weekly Idol, where they were more than willing to try their hand at the famous "Random Play Dance".

The STAYC girls have finally arrived. It is definitely going down.. 😎

As the promotional cycle wore on, SWITH were treated to various content releases like the practices and other behind-the-scenes stuff usually (but not exclusively) associated with the STAY:SEE videos uploaded to their Youtube channel. It was among one of these interviews when Isa revealed that they pretended they had won first place in one scene in the MV to achieve the intended effect.

This one 👆

 

Which then made things all the more meaningful when this happened on September 14, 2021, a day that will forever be etched in STAYC history, and in the hearts and minds of SWITH everywhere:

STAYC FIRST MUSIC SHOW WIN!!!!! 🎉🎉🎉

STAYC was able to earn their first-ever music show win on SBS MTV The Show, beating out the recently viral and highly addictive Talk and Talk by Hybe girl group fromis_9. Needless to say, the girls were pretty emotional during the encore stage..

As a fan, it felt extremely satisfying to see leader Sumin proudly holding her first trophy 😢

Indeed, the STAYC girls have truly arrived, and they did it just 10 months after debut. I am fully aware that other groups have achieved this milestone faster, but that does not diminish the fact that this is a remarkable achievement in itself. In fact, the BUDDY in me can't help but feel that these girls may be the second coming of GFRIEND to this generation.. Unless you count the "mysterious upcoming super-rookie group" VIVIZ, which already has a packed schedule, a loaded discography, and years of experience, all before even having a schedule or teaser for their debut! 😅 But that's a story for another day. 😜

STAYC later on revealed that they had received an award from Hanteo which certified that the STEREOTYPE album had already sold more than 100 thousand physical copies within the first week of release.

The STEREOTYPE juggernaut didn't stop there, as the girls went on to win at two other music shows, but unfortunately the girls were unable to perform during the said programs and were thus unable to receive the trophy and have their encore stages. These wins were:

MBC Show Champion - September 15, 2021. The above picture was from their appearance the following week (210922) when they were finally able to receive the trophy

 

September 16, 2021 - M Countdown. They don't appear on M Countdown though, so there is no trophy shot. Rumor has it that it's because BEP has beef with Mnet, but I dunno..

But wait, there's more! 

STAYC received the Female Rookie of the Year Award (Next Leader Award) at 2021 The Fact Music Awards

All these accolades, and the year isn't even over yet! 😁

I didn't even include the new endorsement deals and magazine interviews anymore, as that would already take too much of my limited time. 😅 Perhaps at another opportunity then.

It really pleases my SWITH heart that HighUp went the way they did with this promotional cycle, putting the spotlight on STEREOTYPE (which the girls have been itching to perform since debut) that gave them the best chances of coming out on top (which they did 🏆🏆🏆), but at the same time putting adequate emphasis on one of the strongest B-sides that I have ever heard in quite a while (SLOW DOWN). I love how the girls are being managed, and I love how every move seems very calculated and well thought out. Though it may have been tempting to put out an entire truckload of low quality content at the start just for the sake of getting any sort of recognition, they chose to slowly bide their time and build up the fanbase and public opinion gradually and organically. I hope the BEP boys continue along this path, as STAYC seems to be a very strong player in the industry in the years to come.

Furthermore, I would like to commend the choreographers for putting a priority on member visibility rather than forced symmetry. It is as if HighUp said "to hell with symmetry, we want our girls to be SEEN"

I really love the fact that they make it an effort to sing live every time. Instead of seeing it as the artist flexing their capabilities, I look at it as giving the audience an authentic performance that will be unique every time. Please allow me to explain:

Let's face it, nobody can expect any group to always perform live with the absolute same vocals for every stage, especially when talking about idol groups that have such complicated and active choreographies. People get tired and may lose wind while moving, or may be in poor condition due to the lack of sleep from the previous day's schedules, and that's perfectly okay. As a result of their singing live, each performance will inevitably have its own little nuances like a bit of heavy breathing here, or a slight voice crack there, and again, that's totally fine and normal.

As an audience member, I would look at it as the artist being honest with me by giving me the complete performance right then and there, thus making it worth the time (and money for concerts) that I spent to watch them, especially if you get to see the actual stage in person.

A point of debate for some of the (presumably younger) SWITHs is the fact that the girls are not allowed to have their personal phones until they win during a major broadcast program (namely MuBank, Inkigayo, and Music Core). A lot of kids are reacting that HighUp was being too cruel. Well, here's my two cents on that:

This may be my age talking, but it is not really that big of a deal. I'm sure this is part of HighUp's way of protecting the girls from online hate (which is just crazy nowadays, especially for celebrities in korea). The last thing you'd want is your budding artist to suddenly get shocked and depressed because of undeserved negativity. Too many a$$holes online lately. They should be focusing on improving their craft and getting better with every stage, not worrying about what some random nutjob in a dark basement might think. Let us also bear in mind that the maknae line are still minors, and that the members are collectively still quite young. It is very easy to get swept away by your emotions at that point in time.

My guess is that this rule was actually for the long game, and the HighUp people were not expecting STEREOTYPE to blow up the way it did, hence the need to rephrase the rule (some people were commenting that they had already won on some shows, so why don't they still have their phones?). My speculation is that they wanted to give the girls their phones back once they were veterans already (2-3 years?), and would be able to handle criticisms better since they would already have a ton of experience by then (and thus would be less prone to self-doubt).

As an additional note, I seriously doubt that Sieun's dad, having so much industry clout, would just sit idly by if he felt that his daughter (and 5 other adopted daughters apparently) was being unfairly deprived of something essential for contact with the family.

The longer I stay a SWITH, the more I am confident that I chose to support the right group of this generation, and I find myself excited while waiting for what they would come up with next. 😏

*For the sake of stanning simplicity, I have chosen to align myself totally with only one fandom per generation. I still support the other artists, but only the selected would be able to command my full attention.

- B. Oppa